East Coker Poetry Group - POETRY MEETINGS SUSPENDED
"The Art of Summer"
Member Diane Summer has an exhibition of her art work at the Centre for the Arts in Eype, near Bridport, entitled "The Art of Summer” from the 24th to the 31st August 2020. The exhibition is open 10am to 5pm (Sun 12pm - 5pm)
The paintings describe Diane’s artistic journey progressing to her present work that express the freedom and simplicity found in a quiet sense of place. She clearly loves the West Country that drew her back 4 years ago after living for 36 years in Australia. It is her response to this move that transformed her art practice. You are invited to share in this rich celebration of colour, texture and form of the natural world expressed in oil or acrylic.
The Arts Centre at Eype is a glorious space with a great coastal view and good parking. It isn’t possible to have a crowded preview but Diane would be delighted if you would come during the advertised hours . If you would prefer to book a specific 4.30-5.30pm time for your own ‘bubble' to view the art, please email (via our contact page) your preferred date. The venue is never busy and all antiviral precautions are in place.
She will be there every day of the exhibition to ensure a lovely safe experience in a beautiful environment.
Rosie Jackson's poem From Langport to Muchelney- Midsummer written at the Langport Moot in 2018, has won the Hilly Cansdale award for a local poem at Wells poetry festival. Here is her poem:-
From Langport to Muchelney: Midsummer
Here you go, over the singles only footbridge,
past sighs of nettles and a river so greedy
it sucks up blue to last through the emptiest winter.
A heron, indignant at being disturbed, white clover
like cotton balls, cows under a tree, hogweed, sweet camomile,
marguerites, water-lilies the colour of saffron.
And you remember the time you walked here
when you were married: the same sky of blue and white
scumbled streaks, flights of swifts, birdsong.
So many years since then, and still you can’t quite
get used to walking alone. Wind rustles the rushes,
damsel flies draw you to the water’s edge, fish stay hidden.
The gate creaks by the inlet sluice, and when you reach the bridge
at Muchelney, you see that what you thought was scaffolding
over the church is a yew tree stretching sideways.
Bincombe Farm, a stuffed straw horse, foxgloves,
roses, gravel. Tourists fanning themselves on the Abbey ruins,
another monument to Henry VIII’s vandals.
Monks lived here once, fasted, prayed. Sometimes
you too dream of a simple cell, with a table, a view,
poems that flood the room till they reach the ceiling.
Here’s the roof inside the church, angels with cheeks
puffed out, as if they would blow the world faster.
Some have wings but no bodies, and hang there like bats,
painted by some sweating Tudor artist on a day as hot as this,
when he would rather be walking the levels with his sweetheart,
picking elderflower, making babies. You crick your neck -
‘All ye nations of the world, com up hether. Flye to mercy.
From the rising of the sun to the setting of the same’.
And in the Bible on the lectern, by faded yellow carnations,
‘Let sense be dumb, let flesh retire.’ When you walk out, there’s a dazzle
of sun on parked cars and your head swims. Iridescent beetles shine
on the path like tiny turquoise beads. You’re thinking
of your husband still, his flesh long since retired, wanting to believe
you will see him again, floating down the River Parrett in a bath tub,
his knees white and defiant in the no-ghosts-here sunshine.