National Poetry Day 2005

Competition entries

 

The winner was Ros Treloar, from New South Wales

 

Love Sears Cultural Memory

Ros Treloar

 

Voomph

The sound of self immolation

 

I was discovered and explored

as if by Dampier.

Saturated in love

I knew what would happen if I lit a match.

I had to live without skin in East Coker.

I knew it viscerally.

 

I grew English wildflowers in shallow granite

in my Australian garden,

installing a watering system,

mulching, manuring, coaxing.

I chuckled at my folly

when I saw East Coker’s effortless snowdrops

lift Spring up under the birches

and jostling foxgloves and Queen Anne’s lace

polish the sides of cars in East Coker lanes.

 

In the foothills of Australia’s Snowy Mountains

my house had an open fire.

But in East Coker

it wasn’t whitegum burning fiercely.

Instead I barrowed an unknown timber

to the back door and learned the ritual

of coal, firelighter, kindling, coal

and only then the split logs.

 

My dusty Australian-ness

is only generations old,

laid lightly on me.

It’s preceded by mist, mud, rain,

flowing and flowing and flowing

finally into my own veins.

East Coker’s slush and gravel

under my boots felt easy.

The hamstone seemed modern.


The rock walls bulged,

holding back hills.

I felt pulled underground

with the stream,

surfacing near the green.

I knew the milky stripe

of sun through cloud.

 

My honest, honest Australian sons

were Gullivers in the village,

bruising their foreheads on rafters.

They visited at Christmas,

arriving defiant and exhausted in boardshorts.

Heads up, they were strong –

hill forts and valiant battles

in their histories, too.

 

I don’t know the meaning of burning.

The scars are a rough rippling,

inhibiting movement.

Mothlike, I couldn’t resist the flame.

I could have painted splashes of iridescent blue

on my winter black coat

and flapped my tropical butterfly

to the Priory, the Helyar, St Michael’s,

leaving threads behind in hedges.

 

But it seems I have to wait

for my season.

An Australian native plant

that needs intense heat to germinate.

 

An evening stroll through East Coker

Jean Caunter

 

Beneath the dark and lowering clouds

Above the line of trees,

A shimmering band of brilliant light

Glows as the sun sinks down.

-          Sunset

 

An owl floats down to hoot and hunt,

The weary land must rest.

Nocturnal creatures snuffling out

Seek food as darkness falls.

-          Twilight

 

The wondrous moon shines kindly down

Night now enfolds our world

Bright friendly stars that guide us all

Will point us back to home.

-          Midnight

 

East Coker is revisited for the Millennial Edition of the Domesday Book

David Cloke

 

The East Coker District of Yeovil

lies between the Sutton Bingham Bypass

and the White Post Hyperama Shopping Centre.

 

Entering into the district in the electric tram

Mr Agawaal with clip-board and data entry pen

is agreeably surprised by the neat metal dwellings

stretching far in the distance from the Ten House stop

where, alighting, his eye is caught by neon hoardings

advertising exotic food eaten under gaudy awnings

at the Afghan café in Helyar Arms Road.

 

Paying at the toll booth he walks towards the church,

preserved for all, with simulated bells contending

with the roar of traffic never ending.  Then reading

in the information kiosk that the old bells had been removed

some time ago - for a health and safety reason.

He thinks the church looks small and quaint against

the cooling towers of Back Lane Nuclear Power Station.

 

Lying in the gutter, forlorn in the empty silence; a large dead bird,

whose last nocturnal flight had ended, hypnotised perhaps

by the sultry headlight of an on-coming car.

In the middle of Cemetery Roundabout, a megalithic stone

with its double M engraving hidden

by a blue and white keep right sign

provides an ornamental feature, standing on its own.

 

He leans against the savings bank while a tram passes

and now the light is falling notices the pleasant

silhouette of the mosque in Tellis Crescent.

He notes a few old houses do remain, contrasting

unfavourably with the modern corrugated metal sprawl.

The warm haze of sodium street-lights show crosses painted white

on doors of cottages destined by the council for terminal withdrawal.

 


Heading home on the 212 tram, Mr Agawaal,

who lives in the suburbs of Yeovil, at Mullahs Caundle,

muses how lovely East Coker looks with the roofs glinting

in the runway lights of Yeovil International, and passes again

the corpse of the bird he had seen.  People hurry by.  How sad,

he thought and wished that he had stopped.  It seemed no one would

wait for the dead owl.

 

East Coker

Edna G Withers (1906-2005)

 

Oh, I love to visit East Coker

At any time of the year,

It’s such lovely village,

And folks are so friendly there.

 

Oh, I love to visit East Coker

When Winter frosts seem to glow,

And short spells of Winter sunshine

Cast shadows on sparkling snow.

 

Oh, I love to visit East Coker

When Springtime leaves Winter behind,

And squirrels come out from their hiding

To search for foods of all kinds.

 

Oh, I love to visit East Coker

When all the Spring flowers are there.

Spring blooms will carpet the paddocks

With flowering trees everywhere.

 

Oh, I love to visit East Coker

When Summer is drawing near;

When Spring lambs gambol and play about,

And migrant birds appear.

 

Oh, I love to visit East Coker

In Autumn when leaves disappear,

For soon we’ll be back to Winter

With Christmas again drawing near.

 

Oh, I wish I could live in East Coker,

For folks are so friendly there,

And everyone seems to have time for

A few kindly words to spare.

 


Oh yes!  I shall get to East Coker,

For I’ve been allotted my space

In that lovely, peaceful green acre,

My very last resting place.

 

Variations on a theme

Garry Denbury

 

In order to arrive at what you are not

You must go through the way in which you are not.

 

T S Eliot, East Coker

 

In the hidden dusty corner

by the wainscot where the field mouse trots

and the tractor rattles by

gnarled men tip their caps

laugh and complain

play cards in a game that nobody wins

the endless game of ploughing and reaping

and heat and cold.

Women come and go

blowing conversation bubbles full of magic

grim muttered lips

emboldened by a second glass of Chardonnay

beneath quick helicopter clatter

dissect last night’s one night stand

the Tory candidate’s blue eyes

fear of the assassin in the deep lanes

the cost of existence.

The last hand is revealed

by the wainscot where the field mouse trots

money changes hands

a game that nobody wins.

 

Sitting quiet at the window

you are seared by the sudden flash

of illumination

when you see the goddess

and the goddess sees you

from a passing car.

 

Turning you see the goddess

quietly sitting across the room

a hennaed woman

with lovely white bruised legs

alone.. waiting.. watching.. watched

mirrors reflect fingers

caress lipstick against puckered mouth

the fingers the same

sometimes whiter sometimes browner

sometimes hotter sometimes colder

the rings different now silver now gold

the jewelled eyes of the serpent

flashing amethysts

fingers blur with a blur of time

mouth moving with the shape of alien words

heard just once through open doors

breasts shrink and grow with every word

 

The man in handsome corduroy suit

stands foursquare at the bar

jingling change in his pocket

in a minor J Arthur key

turns to the woman with lovely bruised legs

            Ice and lemon?

            No lemon give it a stir

            Smile of recognition

            Youngs for me

            the middle-aged passing Daimler

            no doubt of that

            beautifully kept

            well-polished

            slippery leather back seat

            look slippy kiss my legs

            bite them bite them

Pale legs beneath a scarlet dress

stir memories of lust

for the smell of a body

long since dust

Ten to two she bites her bread

two coffees

            two seventy thank you

are these your own trout?

Black and white cows stare in the window

from the streamside across the road

electric coach lamps sparkle in the plates

rubbed clean with bread

legs so white the bruises show

expert eyes look sideways

her kind mouth smiles

See you here tonight?

Good-bye sweet people

wait in the heat

creating the past out of your waiting

remembering only too well

what did not happen and now

can never happen

but in this imagined reality

our bodies flow into each other coupling

the other side of silence

the everyday shape of a kiss proof mouth

painted in a perfect bow across the sky

that needs no words but colour’s emphasis.

The mouse that scuttles through the dust of centuries

has no sense of history

            and yet

a lifetime of forgotten moments awaits her

in a background glance in the mirror

a good-bye wave than means no au revoir

no sight beyond the face said good-bye to

the abrupt turn of the head

one of indifference

as she goes through the door with a final click.

There’s a whole afternoon to live through

right now.. sorry about that

there you go

 

We wait filling our time

with this and that

waiting remembering

creating our past out of our waiting

the room that looks out at grass and trees

where the wind blows most of the time

shaking the wainscot

where gnarled men tip their caps

deal another hand

while memories slip into their tough minds

girls with slim teenage legs

and wanton eyes

sitting in windy bus shelters

icy hands inside their shirts

foolings and fondlings

the taste of kiss-proof paint.

Now they remember only too well

as the cards slide off the table

what did not happen as though it did

breasts slipping out of black lace

love bites bruising virgin white flesh

making an irrelevance of hands

memories more real than reality

dribbles covering the trail of a hundred snails

lead to a future remembering a recreated past

a world that grows strangers

as the tractor rattles by.. and rattles by

as the light falls

the endless game of cards

that nobody wins, an echo

from grim muttered lips.

 

East Coker:  Village of Invasions

Sally Jackson

 

A stretch of undulating land

Benignly bound by gentle hills

For centuries home to many folk

With different tongues and different skills;

Once, too, the home of wolf and boar,

Stag and doe, the huntsman’s prey.

For gatherers, the wooded slopes

Gave fruit and nuts in rich display.

 

Our people later learned to till

The soil to give them grain for food;

To tame the beasts for milk and meat,

And find for homes no lack of wood.

 

How long this life was settled here

We do not know, till Roman feet

Came marching northward from the sea.

They reached this vale and found it sweet -

Sweet indeed to settle here

And build a villa in Roman style,

Of stone, with hypocaust and bath,

And mosaic floors - a spacious pile.

 

With Roman laws life settled down.

The land was farmed, serfs strove to please.

Their chieftains took on Roman ways,

And spoke the Latin tongue with ease.

But Roman power was not to last.

Invaders made the legions go,

Leaving unmanned their forts and camps,

And locals alone to face the foe.

 

With armies marching from the east

Britons fled and Saxons came

Who saw this valley as their home.

Cochre”, gold-earth, they called its name.

With Saxon customs, Saxon ways

The land was farmed, the soil was tilled.

As Christian teaching reached the west

So churches men began to build.

 

At Cochre they built one on the ground

Among the houses near the well.

But every night the work was moved

By whose labour none could tell,

Moved away from the site they chose

Further away and up the hill,

Until they knew the church must be

Not where they wanted, but at God’s will.

 

Though Wessex men were staunch to help

King Alfred keep the Danes at bay

The time came when the Saxon rule,

Like Roman power, was forced away,

When William came from overseas,

Defeated Harold, claimed the crown.

As Normans took over all the land,

Life, no easier, settled down.

 

The Normans then began to build

Castles, fortresses and halls

Strongholds, with chapels, for their lords,

With firm foundations, solid walls,

To keep marauding bands at bay.

As time went by and change took place,

The style of building grew more fine,

And cathedrals rose with Gothic grace.

 

With windows large and a central tower

St Michael’s church was built anew.

Beside it in the Gothic style

They build a splendid manor, too.

 

Later, when Britons sailed the seas

In vessels made of English oak

They came to East Coker for the sails

Made from flax grown here by local folk.

Among the men who sailed away

Two people brought East Coker fame:

Dampier first sighted Australian land;

Eliot’s poet descendent bore his name.

 

Little disturbed the rural scene

Through centuries of peace and wars

Except when plague from outside came

And seized its victims in deadly jaws.

The approaching railway clattered by

Just beyond the village bounds.

No other outside noise was heard

But the huntsman’s horn and baying hounds.

 

Then changed came when steamships took

The place of clippers on the sea,

East Coker twine works still remained

But the demand for sailcloth ceased to be.

The 20th century brought more change.

Though two wars took some men away,

New homes were needed, houses built

For office workers out all day.

 

Where horses plodded with creaking loads

And pony traps kept a gentle trot,

With tractor, lorry, bus and car,

The petrol invasion swept off the lot.

The lowing cattle, bleating sheep,

Such age-old sounds are hear to hear,

When tractors roar along the street,

And ‘copter chopping fills the ear.

 

Yet still the new invaders come,

Working for Westlands or Fleet Air Arm;

Or seeking quiet retirement homes;

Or weekend havens with rural charms.

 

But when industrial developers plan to invade

Everyone joins in a belligerent stand

To protest and repel this terrible threat

To their homes, their village, their traditional land!